![]() These tracks did not come from the Shadow Kingdom sessions. Pages 3-4 from The Christie’s Exceptional Sale Catalog THE NEW RECORDINGSĪt the NYC event, T-Bone revealed that these were dedicated sessions for the purposes of these Ionic releases. In the interest of time (yours and mine) the pricing and the business model will be saved for a future Part III to conclude this series. In this Part II I’m going to discuss the new recording session itself, and then the technology that Ionic is releasing. In Part I of this series I talked about the sound and performance of the new Blowin’ In The Wind recording. The new video (at first a ‘secret’ new something) was announced the same week as the Ionic announcement but a we now know had nothing at all to do with these recordings or their release in any way. They both just happen to be pandemic-era new Dylan recording sessions. The Ionic recording sessions were not the same as the Shadow Kingdom recording sessions. Two other adjacencies made it worse: the recent Shadow Kingdom recordings and then the Columbia Records announcement of a new 60th anniversary video. This is a ‘one-of-one’ recording which is going to be auctioned off, hopefully for millions of dollars, and nobody else gets to hear it.Įach of these deserves independent examination, but unfortunately most of the reporting and discussions has been convoluted and confused.T-Bone has developed new technology to improve the quality of records.Bob Dylan is recording new versions of old songs.Since T-Bone Burnett announced that Bob Dylan had re-recorded Blowin’ In The Wind for release on the new Ionic Original technology, attention has been split (not always evenly) among three key issues: ![]() The Philosophy Of Modern Song (Reviews).
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